Yin and Yang merge.
They carve notes of abysses,
they colour faces of stone,
and provoke the anger of so many young people
impatient to rely on meaninglessness
Let us discuss, for we have time,
since we have disturbed death
and renounced the yellowing pictures
of a tradition that remained attached
to the logic of non-A.
Who wants to be fluid and why?
Who wants to brand
the awareness of destiny
and images of women?
I understand,
but it's freedom you don't want,
you want to build wax statues
forever dripping,
but never dissolved.
No, freedom I want.
I want the abuse of burying times gone by
under the weight of empty words,
I want the death of the gods of reason
and the limelight,
but without abolishing the absorbed faces
and the grace of she who gives life.
Certainly it is precisely that grace that curses
who listens to himself and finds himself alien,
that makes them raise their voices and makes them rebel
to the axe that cuts dreams in two.
All right,
there is little more to say:
I want tradition in its seething
of screams and forebodings of revolution.
What do you want?
Perhaps images shrouded in mist
Tutto degrada tranne la vergogna, nei cuori di tenebra non c'è vergogna. Vergogna è ansimare di cupi teatranti e sentimenti di mezzi uomini. Vergogna è anima di agnello sfuggito al latrare dei cani, vergogna è il ciglio abbassato del superuomo e il desiderio di morire restando vivi Voglio seppellire la vergogna nell'oscurità del borgo e nella gaiezza dei conventi, voglio dimenticare il sangue, il lavacro degli dei, le colpe del mondo profondo e tetro.
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