The piano plays on a deserted street,
wasting its final notes
to hide the wails of a woman,
a red-haired vixen,
an extra in a troupe of assassins.
Hidden in the alley of miracles,
she seeks absolution from the lava-like shadows
of the past.
A sweet melody by unwary weavers
who capture the attention
of the orderly line of men and women
with the posture of ordinary victims
on a late-night talk show.
The piano’s music envelops
even the sacred vestments
of the priests who scatter incense
to absolve the murderers.
Every day a different note,
every day a color
and faded smiles.
Only music absolves the deeds
of the architects of deceit
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